Welcome to Green Bay. Taylor Swift headed to Wisconsin all bundled up in a red Stella McCartney overcoat to support Travis Kelce as the Kansas City Chiefs took on the Green Bay Packers at Lambeau Field Sunday night (Dec. 3). […]
ATEEZ‘s THE WORLD EP.FIN : WILL tops this week’s new music poll. Music fans voted in a poll published Friday (Dec. 1) on Billboard, choosing the group’s EP as their favorite new music release of the past week. THE WORLD EP.FIN : […]
Nicki Minaj told fans that she had an announcement to make on Sunday (Dec. 3). “Hope it doesn’t make you sad,” she said on X (formerly Twitter). “I won’t be able to perform tmrw in #Chicago for Jingle Ball,” wrote […]
Taylor Swift towers over the top 10 on the Billboard 200 albums chart (dated Dec. 9), as she holds a whopping five titles in the region. She is the first living act to have five albums concurrently in the top 10 since the Billboard 200 was combined from its previously separate mono and stereo album charts into one all-encompassing list in August of 1963.
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Swift stands tall in the top 10 with her most recent release, 1989 (Taylor’s Version) (returning to the top rising 2-1), and four former chart-toppers: Midnights (6-3), Folklore (9-5), Lover (8-6) and Speak Now (Taylor’s Version) (17-10).
1989 (Taylor’s Version) was released in October; Midnights, in 2022; Folklore, in 2020; Lover in 2019, and Speak Now (Taylor’s Version) in July 2023.
The only other act to hold at least five of the top 10 at the same time was Prince, on the May 14, 2016-dated list, following his death. That week in the top 10, he had The Very Best of Prince (falling 1-2), the Purple Rain soundtrack (with The Revolution, 2-3), The Hits/The B-Sides (6-4), Ultimate (61-6) and 1999 (31-7).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 9, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 5. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Taylor Swift’s 1989 (Taylor’s Version) returns to No. 1 on the Billboard 200 albums chart (dated Dec. 9), as the set rises 2-1 for its third total week atop the tally. The album debuted at No. 1 on the Nov. 11-dated chart and spent its second week in the lead, before dipping to No. 2 for the next two weeks and bouncing back to the top on the new chart. The set earned 141,000 equivalent album units in the U.S. in the week ending Nov. 30 (up 3%), according to Luminate.
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Swift has a stranglehold on the new Billboard 200’s top 10, as she has five titles concurrently in the region. After 1989 (Taylor’s Version), four more former No. 1s follow: Midnights (rising 6-3), Folklore (9-5), Lover (8-6) and Speak Now (Taylor’s Version) (17-10). Swift’s titles, like many on the entire chart, see sales gains gleaned partially from retail promotions associated with Black Friday and holiday campaigns.
With five titles in the top 10, Swift is the first living act to have five albums concurrently in the top 10 since the Billboard 200 was combined from its previously separate mono and stereo album charts into one all-encompassing list in August of 1963. The only other act to hold at least five of the top 10 at the same time was Prince, on the May 14, 2016-dated list, following his death. That week in the top 10, he had The Very Best of Prince (falling 1-2), the Purple Rain soundtrack (with The Revolution; 2-3), The Hits/The B-Sides (6-4), Ultimate (61-6) and 1999 (31-7).
Also in the top 10 of the new Billboard 200, Michael Bublé’s chart-topping Christmas returns, vaulting 24-9. The set, first released in 2011, spent five weeks at No. 1 in December 2011 and early January 2012 and has returned to the top 10 in every following holiday season.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 9, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 5. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
With three weeks at No. 1, 1989 (Taylor’s Version) has the most weeks atop the chart of Swift’s four re-recorded projects. The Taylor’s Version releases of Fearless, Red and Speak Now ruled for two, one and two weeks, respectively. Further, Swift’s total weeks at No. 1 – across all 13 of her chart-topping releases – climbs to 66 weeks, just one week from the most for a soloist. Elvis Presley has the most weeks at No. 1 among soloists, with 67, while only The Beatles have more than Swift and Presley, with 132 weeks.
Drake’s chart-topping For All the Dogs falls to No. 2 on the new Billboard 200 with 85,000 equivalent album units earned (down 42%), after its rush back to No. 1 a week ago in the wake of its deluxe reissue with six bonus tracks. Swift’s Midnights rises 6-3 with 65,000 units (up 16%), Morgan Wallen’s former leader One Thing at a Time climbs 5-4 with 63,000 units (down 7%) and Swift’s Folklore flies 9-5 with 60,000 units (up 33%).
Swift’s Lover bumps 8-6 with 53,000 equivalent album units earned (up 4%), SZA’s chart-topping SOS ascends 10-7 with 48,000 units (up 8%), Olivia Rodrigo’s former No. 1 Guts bolts 14-8 with 47,000 units (up 20%), Bublé’s Christmas climbs 24-9 with 46,000 units (up 56%) and Swift’s Speak Now (Taylor’s Version) flies 17-10 with nearly 46,000 units (up 23%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Mariska Hargitay recently introduced her new cat Karma to the world, and no one is more thrilled than Taylor Swift.
The Law & Order: Special Victims Unit star shared a photo of her sweet pet on Instagram earlier this week. “Karma is a Cat @taylorswift Meet Karma. My Cat. #MeAndKarmaVibeLikeThat #AndIKeepMySideOfMyPawClean #KarmaIsACat,” Hargitay wrote, revealing the inspiration behind her cat’s name is, of course, a lyric from a song by Swift.
On the chorus of the Midnights track “Karma,” Swift sings, “Sweet like honey, karma is a cat purring in my lap ’cause it loves me.”
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On Saturday (Dec. 2), two days after Karma the cat made their debut on social media, Swift publicly shared her reaction to the kitty’s arrival.
“Are you serious?!!!! Nothing has ever come more full circle,” Swift wrote in the comments section of Hargitay’s post. “LOVE THIS SO MUCH!!”
Hargitay and Swift — who in 2014 named one of her own cats Olivia Benson after the actress’ starring role on SVU — have been connected for years.
After becoming friendly, Swift invited Hargitay to appear in 2015’s “Bad Blood” music video alongside Ellen Pompeo, whose Grey’s Anatomy character Meredith Grey inspired the name of Swift’s first cat in 2011. In June 2015, Hargitay walked the catwalk as one of Swift’s celebrity guests on the 1989 World Tour. More recently, Hargitay’s taken in more than one Eras Tour show and showed her support for the singer at the premiere of the Taylor Swift: The Eras Tour film.
“She’s pure magic,” Hargitay told Entertainment Tonight in October. “There’s nothing she can’t do. It’s been so beautiful to reconnect to that innocence, you know? I think Taylor gives such a beautiful message to kids and unlocks these girls’ emotions.”
“I see how it affects my daughter, and she cries and just opens up like a flower,” Hargitay said of Swift’s impact. “And [I see] how meaningful it is, and I’m grateful to be part of it and watch that journey.”
“It’s been so beautiful [to see] how she gracefully walked through her journey and allowed herself to evolve and truly step into her power pose, her talent and all of her glory. And she’s got quite a bit of it … I think she is a magicmaker,” she added.
Swift released a remixed version of “Karma” featuring Ice Spice in May, giving the track a boost to No. 2 on the Billboard Hot 100.
Billie Eilish wasn’t aware that a recent interview would be perceived as a coming out story, but she’s cool with it.
“I didn’t, but I kinda thought, wasn’t it obvious?” the pop star said to Variety on the red carpet for the Variety Hitmakers Brunch, where she and brother Finneas were being honored with the film song of the year award for their Barbie soundtrack tune “What Was I Made For?” on Saturday (Dec. 2). “I didn’t realize people didn’t know.”
In the publication’s Nov. 13 cover story, Eilish had mentioned that she’s attracted to women: “I love them so much,” she said. “I love them as people. I’m attracted to them as people. I’m attracted to them for real … I’m physically attracted to them. But I’m also so intimidated by them and their beauty and their presence.”
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Eilish has only ever been in public relationships with men, most recently The Neighbourhood’s Jesse Rutherford before their breakup in May.
Speaking on the red carpet Saturday about the Variety cover story and the concept of coming out, she casually said, “I just don’t really believe in it. I’m just like, why can’t we just exist? I’ve been doing this for a long time, and I just didn’t talk about it. Whoops.”
“But … I saw the article and I was like, ‘Oh! I guess I came out today!’” Eilish said with a laugh.
“It’s exciting to me because I guess people didn’t know, so it’s cool that they know,” the singer added. “But ooh, I’m nervous talking about it.”
“I am for the girls,” confirmed Eilish, who will soon be seen as the musical guest on the Kate McKinnon-hosted Dec. 16 episode of SNL.
“I’m still scared of ’em,” she added in the red carpet interview, “but I think they’re pretty.”
Watch the interview clip via Variety below.
Olivia Rodrigo brought “Can’t Catch Me Now” to the stage for the first time at iHeartRadio’s Jingle Ball in Inglewood, California, Friday night (Dec. 1). “So, has anybody watched The Hunger Games?” Rodrigo teased the crowd at Kia Forum before […]
With 100 years under its belt, Duke University is celebrating the university’s largest donation ever. It was announced on Thursday that Duke Endowment, an independent philanthropic foundation, has awarded the university $100 million to fund various student programs. Duke President Vincent Price believes those donations will contribute to the university’s growth for 100 years.
“This is a wonderful moment for Duke as we head into our centennial, a centennial that we share with the Duke Endowment,” Price said. “They have been an important philanthropic partner to Duke University throughout our history, and this marks just a wonderful moment for our future growth and development as we look forward to the next 100 years.”
A pair of Harvard University Business School students saved the day by hosting a Spades clinic and free-for-all worksheet to address the embarrassing conversation surrounding “not knowing how to play spades.” Understanding the need for a safe environment to learn the game, the creators, Alliyah Gary and Chelsea Grain Jefferson, created the clinic. Before the Thanksgiving holiday, their fellow students began a course to prepare them for family spades.
After a conversation with friends during an Africa Business Club retreat, Gary was inspired by the discussion topic of “the different things that make Black culture so beautiful.” As Harvard Business School encompasses a diverse Black community worldwide, they were still searching for a way to “share the different nuances of our culture.”
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