Billboard Women in Music 2025
In the words of an iconic 2010 Skrillex track, yes, on my god.
On Tuesday (April 1), the producer released his fourth studio album, the astoundingly titled F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!!
Billboard Women in Music 2025
In the words of an iconic 2010 Skrillex track, yes, on my god.
On Tuesday (April 1), the producer released his fourth studio album, the astoundingly titled F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!!
Billboard Women in Music 2025 Young Scooter’s cause of death has been revealed by the Fulton County Medical Examiner’s office. The Atlanta rapper, real name Kenneth Bailey, died after puncturing his thigh and losing too much blood as a result […]
Billboard Women in Music 2025
Fuerza Regida and Grupo Frontera achieve their second collaborative No. 1 as “Me Jalo” tops both Billboard’s Latin Airplay and Regional Mexican Airplay charts (dated April 5). The groups previously scored a No. 1 together when they teamed-up with “Bebe Dame” (one week on top of both lists in March 2023).
“Me Jalo” flies 9-1 on the overall Latin Airplay chart after a 62% improvement in audience impressions, to 10 million, earned in the U.S. during the 21-27 tracking week, according to Luminate. Thanks to the swell, the song leads with the Greatest Gainer honors, awarded weekly to the track with the biggest airplay gain.
“Creating this song was an incredible experience,” Alberto ‘Beto,’ Frontera’s guitarist tells Billboard. “Being in the studio with our friends from Fuerza Regida is the best—they’re part of our family! Now, to see us at No. 1 on the charts with them is such an honor. We keep hitting milestones and raising the flag of Mexico high.”
“Me Jalo” is one of five songs from Fuerza Regida and Grupo Frontera’s collaborative EP, Mala Mía, which added to the acts’ career top 10s on Top Latin Albums and Regional Mexican Albums charts, where it debuted and peaked at Nos. 10 and No. 6, respectively.
“Me Jalo” marks the fourth time both Fuerza Regida and Grupo Frontera have claimed the top spot on the overall Latin Airplay chart. Remarkably, the two groups have achieved an identical number of chart-topping hits since their debut in 2023: two No. 1 singles in 2023, one in 2024, and now their first in 2025. While Fuerza Regida’s No. 1 hits each held the top spot for a single week, Grupo Frontera enjoyed a longer reign with “Un X100to,” with Bad Bunny, which commanded the chart for six weeks in 2023.
“When we make music, we always aim to spread joy and fun,” Payo, vocalist of Grupo Frontera, adds. “Our mission is to create pure vibes, and for those who listen to find something positive that helps brighten their day. Seeing people enjoy and make videos is our biggest achievement. Every time that happens, good news rolls in, and we feel even happier…”
In addition to its strong performance on radio, “Me Jalo” has seen significant traction on TikTok. The song has inspired over 756,000 user-generated videos, with fans dancing as if being pulled by an invisible rope—a playful nod to the word “jalo,” derived from the verb “jalar,” which means “to pull” in Spanish.
The song holds at its No. 3 high on the multi-metric Hot Latin Songs chart for a third week, after generating 8.5 million official U.S. streams, up 3%, in the tracking week.
“We want everyone to have as much fun with our music as we do creating it,” Juan Cantú, accordionist of Grupo Frontera, adds. “When the trend started going viral on TikTok and celebrities joined in, we got super excited! That’s why we make music.”
Elsewhere, both Fuerza Regida and Grupo Frontera each add a new No. 1 on Regional Mexican Airplay where “Me Jalo” jumps 5-1 with 48% gain audience impressions, to 8 million.
Billboard Women in Music 2025 Lucy Dacus performed her own magic trick on Lady Gaga’s “Abracadabra.” The Boygenius star joined BBC Radio 1 this week, where she covered Gaga’s Mayhem hit. While Gaga’s version is punchy and anthemic, Dacus strips […]
The Weeknd has shared another glimpse into his upcoming Hurry Up Tomorrow film ahead of its nationwide theater release on May 16. The ominous thriller received a second trailer on Tuesday (April 1) as the Toronto singer/actor took viewers further […]
Billboard Women in Music 2025 Cardi B is continuing to tease her long-awaited sophomore album, and recently gave fans some more details on what to expect. On Monday, Cardi B hopped on X Spaces to discuss her highly anticipated sophomore […]
Over the years, Lil Nas X has dealt with his fair share of criticism over his creative choices, and the star is reflecting on how things would be even worse in today’s political climate. Explore Explore See latest videos, charts and […]
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Dua Lipa shuts down a copyright lawsuit over her smash hit “Levitating”; Tony Bennett’s daughters sue their brother over the late singer’s estate; Latin music exec Angel Del Villar is convicted of working with a promoter with links to Mexican cartels; and much more.
THE BIG STORY: Dua Lipa Levitates Out of Another Lawsuit
Back in March 2022, Dua Lipa was sued for copyright infringement twice in just four days over “Levitating,” her breakout hit that spent 77 weeks on the Billboard Hot 100. But three years later, both cases are now dead and gone.
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In a decision issued last week, a federal judge granted Lipa summary judgment in a lawsuit filed by songwriters L. Russell Brown and Sandy Linzer, who accused the superstar of ripping off their 1979 song “Wiggle and Giggle All Night” and their 1980 song “Don Diablo.”
The complaint cheekily claimed that Lipa “levitated away plaintiffs’ intellectual property,” but Judge Katherine Polk Failla ruled that there was essentially no IP to steal — that the songs shared only the kind of basic musical building blocks that are not covered by federal copyright law.
“It is possible that a ‘layperson’ could listen to portions of plaintiffs’ and defendants’ songs and hear similarities,” the judge wrote in her decision. “But … the similarity between the works concerns only non-copyrightable elements of the plaintiffs’ work.”
The other lawsuit against Lipa — filed by a Florida reggae band named Artikal Sound System over their 2015 track “Live Your Life” — was voluntarily dropped in 2023 after another judge ruled in her favor that there was no sign that anyone involved in creating “Levitating” had had “access” to the earlier song — a key requirement in any copyright lawsuit.
As we wrote back in 2022, it seems you’re not truly a pop star until you’ve been sued for copyright infringement a few times; just ask Taylor Swift, Ed Sheeran or Katy Perry. Now, Lipa can truly join that distinguished group — as someone who has not just faced such cases, but fought back and won.
Other top stories this week…
FAMILY FEUD – Tony Bennett’s daughters (Antonia and Johanna Bennett) expanded their legal battle against their older brother (D’Andrea “Danny” Bennett), claiming in a new lawsuit that he has “abused” his power over the late singer’s affairs to “enrich himself.” Echoing an earlier case, the sisters accused Danny of “improper and unlawful conduct” both before and after the legendary singer’s 2023 death, including “excessive and unearned commissions” and giving “gifts to himself and his children.” Danny’s lawyers have called such accusations “baseless” and argued he was “fully authorized to take the steps he took.”
GUILTY VERDICT – Latin music executive Angel Del Villar was convicted by a federal jury on felony charges of doing business with a concert promoter linked to Mexican drug cartels, setting the stage for a potential decades-long prison sentence for the Del Records CEO. Prosecutors alleged Del Villar had repeatedly arranged concerts with Jesus Pérez Alvear, a Guadalajara-based promoter subject to federal sanctions for helping cartels “exploit the Mexican music industry to launder drug proceeds and glorify their criminal activities.” Del Villar’s attorneys vowed to appeal the verdict, saying the jury “got it wrong.”
AI RULING – A federal judge issued a ruling denying Universal Music Group’s request for a preliminary injunction that would have immediately blocked artificial intelligence company Anthropic PBC from using copyrighted lyrics to train future AI models. The judge said that it remained an “open question” whether using copyrighted materials to train AI is illegal — something of a trillion-dollar question for the booming industry — meaning UMG and other music companies could not show that they faced the kind of “irreparable harm” necessary to win such a drastic remedy.
SAMPLING SPAT – Ye (formerly Kanye West) was hit with a copyright lawsuit claiming he sampled a song by German singer-songwriter Alice Merton despite her express refusal to license it to him because of his history of antisemitic statements. Merton said she’s the direct descendant of Holocaust survivors and that being involuntarily associated with the controversial rapper left her “shocked and humiliated.” The case is the latest of at least a dozen lawsuits West has faced over his career over allegations of unlicensed sampling or interpolating.
The Super Bowl LIX Halftime Show won’t be the only time Kendrick Lamar and Mustard share the stage together this year. Mustard revealed on Tuesday (April 1) — and this is no April Fool’s Day joke — that he’s joining […]
Billboard’s Dance Moves roundup serves as a guide to the biggest movers and shakers across Billboard’s many dance charts — new No. 1s, new top 10s, first-timers and more.
This week (on charts dated April 5, 2025), Loud Luxury, Selena Gomez, Yng Lvcas, Anabel Englund and others achieve new feats. Check out key movers below.
Loud Luxury
The duo spends a second consecutive week at No. 1 on the Dance/Mix Show Airplay chart with “Crash.” The song is the act’s second leader, after 2023’s “If Only I,” with Two Friends and Bebe Rexha, spent three weeks at No. 1. Loud Luxury first hit the chart in January 2018 with “Body,” featuring Brando. The pair has logged 13 total entries, eight of which have reached the top 10.
Selena Gomez & Benny Blanco
Gomez and Blanco grace Billboard’s recently-launched Hot Dance/Pop Songs chart for the first time with “Bluest Flame.” Released March 21 on the pair’s new joint album, I Said I Love You First, the song opens at No. 4 with 4.8 million official U.S. streams and 1,000 downloads sold in its first week, according to Luminate. Notably, Charli XCX provides uncredited background vocals on the song.
“Bluest Flame” was produced by Blanco, Cashmere Cat and Dylan Brady, who is half of electronic hyperpop duo 100 gecs. All three artists, plus Gomez and Charli XCX, are credited as co-writers.
Gomez has previously appeared on Billboard’s dance charts. Before the launch of Hot Dance/Pop Songs, Gomez charted five tracks on Hot Dance/Electronic Songs, two of which hit No. 1: Zedd’s “I Want You To Know,” featuring Gomez, spent six weeks on top in 2015, and Gomez and Marshmello’s “Wolves” spent 11 weeks at the head of the pack in 2017-18.
Blanco has charted one other song on Billboard’s dance rankings as a billed artist: “I Found You,” with Calvin Harris, reached No. 9 on Hot Dance/Electronic Songs in 2019. He’s credited as a producer on nine tracks that have hit Hot Dance/Electronic Songs, including three top 10s: Major Lazer’s “Cold Water,” featuring Justin Bieber and MØ (No. 1 for two weeks in 2016); Cashmere Cat, Major Lazer and Tory Lanez’s “Miss You” (No. 10, 2018); and “I Found You.”
RØZ & Yng Lvcas
Both artists earn their first entry on Billboard’s dance charts, as “Flashes” debuts at No. 10 on Hot Dance/Electronic Songs on the strength of its streaming sum: 1.4 million, according to Luminate.
Yng Lvcas, from Guadalajara, Mexico, broke through in 2023 with his song “La Bebé” and its subsequent remix with Peso Pluma. The song reached No. 11 on the Billboard Hot 100 and No. 2 on Hot Latin Songs, the Billboard Global 200 and the Billboard Global Excl. U.S. chart.
“Flashes” earns RØZ his first appearance on Billboard’s charts overall.
Anabel Englund X Punctual
The pair’s “Falling Up” starts at No. 36 on Dance/Mix Show Airplay (up 51% in plays). The song earns Englund her 15th entry on the chart and Punctual its fifth. Englund boasts 13 top 10s, including seven No. 1s. She most recently led with “Get Busy” and “Cutting Loose,” the latter with Disco Lines and J. Worra, both in 2024.
Punctual, which comprises Will Lansley and John Morgan, is also currently on the chart with its collab with KASKADE, “Heaven Knows,” featuring Poppy Baskcomb. The track reached No. 4 last month, marking the duo’s first top 10.
Gryffin, KASKADE & Nu-La
All three artists debut at No. 40 on Dance/Mix Show Airplay with their collaboration “In My Head.” It’s Gryffin’s 18th entry and first since “Where Are You Tonight,” with Zohara, became his seventh top 10 (No. 8 peak, December).
KASKADE claims his 35th title on the survey, the fourth-most in the chart’s 22-year history, after David Guetta (67), Tiësto (39) and Rihanna (36). Of those 35 cuts, 19 reached the top 10 and five hit No. 1, most recently “Tears Don’t Fall,” with Enisa, in December.
“In My Head” lands Nu-La her first entry on Dance/Mix Show Airplay. The song became her first overall chart hit when it debuted and peaked on Hot Dance/Electronic Songs at No. 15 in February.
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